Sunday, January 17, 2010

Weekend-special: Isidro Ferrer (4)

As we come to the end of our Isidro Ferrer weekend, we have for you a special treat: this short story was published in the “Cheval sans tête”-magazine in 1996. This beautiful “revue internationale de création, bande dessinée et illustration” was the flagship title of the French publishing house Amok. Ferrer got published often by Amok and this is one of his most touching stories. As far as I know this is the first time it got translated into English.

 

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Once I read somewhere that smoke stood for the connection between earth and the heavens…

                                Smoke

…because smoke columns of a sacrificial fire ascend to heaven, towards god.

 

At Huesca, the village where I was born, when I helped my father at work in the field, the smoke told us my mother had prepared breakfast or diner.

So, the only relation between smoke and god for me was the prayer my mother said to bless the food before we honored  what she had prepared.

 

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The smoke I associate with Barcelona was quite different. I went there to work in the factories after my parents told me to leave this land that didn’t bring forth anything but slaves.

It was the time of the republic.Somebody had set the neighborhood church on fire and the women were screaming that we should save the statues of the saints that were still inside.

Did god burn amidst those flames? I don’t know, but sometimes I wonder.In any case, the priest told us we would be punished for this sacrilege.

And boy, did we get punished.

 

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During the war, the skies above Barcelona were often covered in smoke. From the terraces we saw the fascist planes arrive and their bombes transformed the houses into burning logs.

During this sacrifice we talked a lot about the death but very little about god, who was, however, constantly being talked about by the rebels.

Later, the war was lost and we had to flee to France. We were put into camps where we would sleep under  the open sky until we managed to build ourselves some shelter.

On the sand of the Mediterranean beach we warmed ourselves with pinewood fires. Sitting there, the smoke rising towards the stars, I often thought about my parents fireplace.

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When France was occupied by the Germans, a Nazi officer came to the camp which was located at what they called the “free zone”. He promised us work and freedom if we accepted to join them as volunteers.

A few months later the officer came back. He didn’t talk about volunteering anymore, but about obligatory work.

So, one night, I ran away.

I fought alongside the Haut-Garonne resistance for a long time. Now, smoke was often the signal to come out of the woodworks and go down to the village for food and supplies.

 

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One day I fell into an ambush. The Germans put me onto a train to a camp where I was amongst a lot of Spaniards.

And there, again, the smoke belched day and night from the chimney of the crematory ovens. A perpetual link between earth and heaven.

And god, still, was nowhere to be seen.

 

 

 

 

 

 

 

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Weekend-special: Isidro Ferrer (3)

 

 

 

In this third installment of our Ferrer special here at Monsieur Bandit we now have a short film for you. Once again we focus on Ferrer as a graphic designer and take a look in his studio.

Next up: in the fourth and final part we return to comics with a complete and translated short story by Ferrer.

Saturday, January 16, 2010

Weekend-special: Isidro Ferrer (2)

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In our second part of the Isidro Ferrer special we will take a look at his work as a graphic designer and we will visit the exhibition “Libro de las preguntas”.

To be honest, this exhibition-thing, you are going to want to see that…

So let’s keep the bio-stuff short: Ferrer was born in Madrid in 1963. He first studied dramatic art, graduated from Jacques Lecoq’s School of Mime and Pantomime in Paris but at the age of 25 got into graphic design, inspired foremost by the Spanish designer Peret.  Numerous books are dedicated to his work (nice and big one here), he participates in several exhibitions all over the world (Paris, Tokyo, Brussels, Mexico,Buenos Aires,…) and has solo exhibitions in Spain, Portugal and France. He won the National Design Award in 2002.

About Ferrer it is said that he works by “devoration”, like the verse making machine imagined by Juan de Mairena: “On one side the world enters and on the other side poetry comes out”.

 

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The website created to accompany the exhibition “Libro de las preguntas” which took place in the Espacio para el Arte de Zaragoza, is simply a must see as it gives us a very good look into not only the studio but also the head of Mr. Isidro Ferrer.Magical Snap - 2010.01.15 01.51 - 005

 

(There is however a very annoying little music playing in the background. You are going to want and turn that off pretty soon, I guess…)

 

(Don’t worry. You can.)

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So do yourself a favor and make your day a little brighter by visiting the wonderful world of Isidro Ferrer.

Have fun, but do remember to come Magical Snap - 2010.01.15 01.49 - 003back tomorrow for our next installment of this Monsieur Bandit Special.

Weekend-special: Isidro Ferrer

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One of the joys of having a collection is showing stuff to people and today I have some really beautiful images to share.

Perhaps you have heard about Isidro Ferrer before. He is after all a well known, award winning graphic designer who has had numerous solo exhibitions all over Europe and many books dedicated to his work got published in Spain, Portugal and France. But did you know the man also made comics?

 

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In this first installment of “The Isidro Ferrer-weekend” (perhaps the start of a nice tradition here at Monsieur Bandit?) I am proud to present to you a little booklet from my comic book collection. It is called “Exils”, was written by Grassa Toro and illustrated by Ferrer and it was

published by the wonderful people of Editions Amok, a French publisher of very experimental “bandes dessinées” (that’s fancy French for comics) as the sixth installment of their collection “feu!” (fire!) 

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ferrercoverAs was often the case with the publications of Editions Amok, the experimental nature of the comic didn’t seem to leave much room for a story to be told. Some people disliked Amok (and their ilk) for exactly that reason. “Yes, the books look stunning”, they would say “But where is the story?” This is a matter of personal opinion, perhaps, but it would be unfair to claim books like these just “have no story”. It is perhaps told in a different way, one which we are not used to and there for not know how to decipher easily…

Please check up on Monsieur Bandit later this weekend for the second installment of our Isidro Ferrer Special in which we will take a look at some of his graphic design and visit a stunning exhibition of his work.

 

Editions Amok does not exist anymore. They did however join the Brussels based publishing collective Freon and are now known as FREMOK. Check them out for some of the most beautiful but highly experimental comics you are likely to find.

Wednesday, January 13, 2010

Kinetic Typography

When you type in the two words of our title in the YouTube search box, you will get an impressive list of short films, often home made and based on movie dialogues or song lyrics but also some real commercials, trailers or title sequences. Of course, these are not some new invention. The very first time I can remember seeing something like this must have been the Prince video for “Sign o The Times”, but even that wasn’t the first by far. Wikipedia tells me Saul Bass was the first with the credits for Hitchcock’s “North by Northwest” (1959 and such a fun movie!), but I don’t really know if I should trust them on this.If you know better, please tell me…

If you want to see a lot of beautiful examples all at once, you should visit Naldz Graphics, a design blog which recently posted a bunch of these little gems.

Now if you’ve watched a whole lot of these, just like I did this afternoon, you can Magical Snap - 2010.01.13 20.04 - 008not but notice that most of them look mighty similar… The reason for this is probably because they were all made using the same software: Adobe’s After Effects. (If you are curious how it’s done take a look at an online tutorial here or here.)

 

I spent some time looking for kinetic typography stuff that looked different. The first thing I found was called “streams of consciousness” by David Small and Tom White. It is some sort of an interactive installation piece where one can manipulate water-like letters via a manual user interface. It’s kind of hard to explain so maybe you better take a look at this site (but I must warn you, loading the video took for ever…)

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The second one I wanted to show you is a music video called “Automotive Hydraulic” by the Studio for Virtual Typography (made for Loca Records in Brighton). Again the text mimics nature and appears to be like raindrops or air bubbles. Remarkably, some of the other images appear to be typographic but are in fact colored lights recorded with long exposure shots.

If anybody knows some other nice examples of kinetic typography, please mention them in the comments.

(Further reading: Basic Typography 01: Virtual Typography by Matthias Hillner, AVA Publishing – where I found the previous two examples mentioned.)

Staying in today…

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Color-sketch found in old file, I think brushpen and crayons and stuff…, pre-digital.

Tuesday, January 12, 2010

Showcase: Grafik Plastik

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Such a cool name, don’t you think? I discovered this blog a few days ago. It is the work of a Greek graphic design student called Lefteris. Modernistic and minimal are words that pop up. I liked some of the typography he did very much, so I wanted to show it here.

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The top row shows four pieces out of twelve which together make up a calendar, originally made as a present for his sister but now, by popular demand, available for sale. Check out Grafik Plastik yourself if you are interested.

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